The exhibition is called Sculpture as Place 1958-2010 and is the largest solo exhibition to date of American artist Carl Andre’s oeuvre. For a minimalist artist this exhibition space is firstly ideal, the industrial metal and concrete construction are a harmonious backdrop to the basic materials used by Andre in his various sculptures. Walking through the converted train station it appears this is the most suitable environment to display artworks which challenge the ideas we might have about what constitutes a work of art.

Introducing the premise of Slow Looking, a series on looking at art (published as a newsletter). Artwork 1: Blue Poles by Jackson Pollock.

Thoughts on Hodda Afshar's video work Remain, which tells the stories of male refugees confined to Manus Island.

In May 2016 attended the Native American and Indigenous Studies Association (NAISA) conference in Honolulu. Below are some of my reflections from the conference.

A review of a portion of the 19th Biennale of Sydney from 2014.

This is an essay I wrote while on Christmas holidays 2015, about my response to the recently finished Asia Pacific Triennial of Contemporary Art (APT8) at the QAGOMA, Brisbane. One and a half years into my PhD, there were many half-formed thoughts.

Review of the annual Top Arts exhibition 2013 featuring the final year work of Victoria's year 12 fine art students. National Gallery of Victoria, Federation Square 21 Mar - 7 July 2013.

Part two of a review of the National Gallery of Victoria's Melbourne Now exhibition from 2013

This review was originally published in Rabelais, La Trobe University's student newspaper, vol 47, no 3, 2013.

Incrementally reviewing the National Gallery of Victoria's Melbourne Now exhibition 22 Nov to 23 Mar 2014.