Where do First Nations portraits belong in a thematic exhibition?
Portraiture is a worthy and rewarding genre to explore many issues, including gender and ethnicity. Ironically, this exhibition left me wondering where some women fit.
Portraiture is a worthy and rewarding genre to explore many issues, including gender and ethnicity. Ironically, this exhibition left me wondering where some women fit.
The Jacaranda is a favourite tree in many parts of Australia. Synonymous with spring, it’s a favourite spectacle of the Instagram photographer. This is a lot of hype for a tree that isn't even native to this continent. In Mildura the purple carpet maker is honoured with an annual art prize.
It’s not just curiosity about my own tastes that drives this newsletter endeavour, I’m also doggedly of the conviction that looking at things slowly – avoiding fast, easy conclusions – is an important and valuable thing to do in and of itself.
Displayed on a single wall in a tight group, ten of Barb Henderson's paintings sing out from Cam's Kiosk at the Abbotsford Convent. They're lit with the natural light that floods in from the Convent's iconic courtyard; bright and colourful enough to catch your eye on a Melbourne day.
Exhibitions are short in this city and good exhibitions seem shorter still. By the time you read this review the exhibition will have finished. A state of affairs requiring art lovers to pounce on the exhibitions they love and remember them. My job as a critic is to make you
A series of sculpture exhibitions in Mildura from 1961 to 1988 were a testing ground for new forms of experimental art. A new exhibition at the Mildura Arts Centre documents this moment 50 years on.
History is thick on the ground at Montsalvat, Eltham. The story of the founders of this bohemian artist’s colony are layered into the walls, the very mud bricks they built their gothic looking buildings with. Two families established the colony in 1934: Justus Jörgensen and his wife Lily Jörgensen
Imagine you live in a small inland town at the junction of two rivers. You work part time for a tiny newspaper; one day in the recent weeks you submit three short reviews.
There's something about this place, it gets under your skin. And the art is FANTASTIC. Plus some musical treats.
Place, taste and tradition in Australia's favourite portrait prize
Or, what I saw in five hours at QAGOMA
Exploring the Italian migrant's experience in Filomena Coppola's solo exhibition at Mildura Arts Centre