This month I visited the inland city of Broken Hill to see some decolonial museum practices in action
Highlighting textile works while revisiting the Art Gallery of South Australia.
Some back story to one of the most recognisable artworks in the West. How did Guernica become so powerful as an anti-war symbol?
Looking at personal lives and public selves in the work of Tracey Emin. This edition discusses strong themes originating in the artist's life, take appropriate caution.
Mildura Art Centre's recent exploration of histories and identities in the south and west, curated by Jane Polkinghorne and Gareth Hart
Pronounced "tar-nan-dee", this yearly celebration of Aboriginal and Torres Strait Islander arts, takes me across borders and cultures